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    Writing
    “Fernando Sor: Selected Studies Arranged for Electric Bass": Mel Bay MB31027

    “The Guitar Transcriptions of Francisco Tárrega – Selected and Edited by Paul Ballam-Cross”: Mel Bay MB30829


    “Reconstructed Nostalgia: Aesthetic Commonalities and Self-Soothing in Chillwave, Synthwave, and Vaporwave”: Journal of Popular Music Studies (Vol. 3, No. 1, 2021)

    “Restoring a Song and Dance: examining Federico Mompou’s Cancion y Danza No. 13 manuscripts”: 2020 (in submission)

    “’Nonagon infinity, open the door!’ – motivic interrelation across albums in the music of King Gizzard and the Lizard Wizard”: Perfect Beat (Vol. 20, No. 1, 2019)


    “Finding New Repertoire: Transcribing Mozart’s Sonata K. 292/196c for the Guitar”: Context (No. 43, 2019)


     “An Introduction to the Guitar Chamber Music of Australia”: Soundboard (Vol. 40, No. 1, 2014)

    ©2019 Paul Ballam-Cross

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