Writing
“The Guitar Transcriptions of Francisco Tárrega – Selected and Edited by Paul Ballam-Cross”: Mel Bay MB30829 (forthcoming 2020)

“Reconstructed Nostalgia: Aesthetic Commonalities and Self-Soothing in Chillwave, Synthwave, and Vaporwave” (forthcoming, accepted by the Journal of Popular Music Studies 2021)

“Restoring a Song and Dance: examining Federico Mompou’s Cancion y Danza No. 13 manuscripts”: 2020 (in submission)

“’Nonagon infinity, open the door!’ – motivic interrelation across albums in the music of King Gizzard and the Lizard Wizard”: Perfect Beat (Vol. 20, No. 1, 2019)

“Finding New Repertoire: Transcribing Mozart’s Sonata K. 292/196c for the Guitar”: Context (No. 43, 2019)

 “An Introduction to the Guitar Chamber Music of Australia”: Soundboard (Vol. 40, No. 1, 2014)

©2019 Paul Ballam-Cross